“Become a visitor, a voyeur, actor: the Châtelet, it was the revolution that it heralded. A Russian revolution means. The only one that applies to an artistic happening that invites you into the dressing rooms redecorated. The red color is photogenic, cyrillic, arty and the effigy of the dictator’s mustache is always its effect. Russia, pardon the soviet Union, was to take up his quarters at the Théâtre du Châtelet, and by extension to the Theatre of the City, on the other side of the square. The two closed institutions to work welcoming from 24 January to 17 February, the installation of the Russian director Ilya Khrzhanovsky, the project “DAU” (articulate DA-O, the nickname of Lev Landau, Nobel prize in physics).
“Should we go there or not?” The question was stirring the last week on all the lips of the cultural milieu parisien intrigued by a campaign enigmatic on the content of the project. A project where the superlative employee to spend the propaganda stalin on the …
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